Written mainly in the ten years up to 1985, the year of Julian Beck's death, Theandric is very much about fighting death. It is a kind of testament, an ultimate statement on ''the philosophy and metaphysics of the theatre'', a sub-title he frequently used for Theandric, in which his life-long concerns, such as the structure of the relationship between audience and theatre workers and the relationship of the artist to the political time in which he lives, are crystallized. He discovered that the existing word ''theandric'' expressed the presence of the divine in the actor.brTh
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